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By Michael Horowitz

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Jan Limberger. 2 (Unison Tremolo) CD Track #44 2           0 5 0 5 0 5 0 5 2       0 5 0 5   1      0 4 0 4 0 4 0 4 1   0 5   0 5 2          0 5 0 5 0 5 0 5        0 4 0 4 0 4 0 4  2         0 5 0 5 0 5 0 5 2           0 5 0 5 0 5 0 5 0 5 Picking Pattern #15 The next example (Ex. ) The E Major 7 (b9) is actually functioning as a very dissonant substitution of an E7 chord. It works because it resolves chromatically to the A minor 6. 1 (Triplet Tremolo) CD Track #45 EM7(b9) 1213       11 9 10 9 Am6 1213 9fr                               11 9 10 9 11 9 10 9 11 9 10 9 11 9 10 9 11 9 10 9 11 9 10 9 11 9 10 9 11 9 10 9 11 9 10 9 11 9 10 9 3 3 3 3       11 9 10 9 12 10 11 10 10fr      ● ✦ GYPSY PICKING 54 Minor Blues Etude "Blues 47" The following etude is a five-chorus long solo over a minor blues progression.

The first four eighth-notes of the example use sweep picking to move from the D string to the high E string. The second four eighth-notes use an upstroke and the three downstrokes to move from the high E string to back to the D string. The up, down, down, down pattern is a picking pattern commonly used by Gypsy guitarists when moving to consecutive lower strings. ✦ Start with a rest-stroke on the D string ending with the pick resting against the G string. ✦ Sweep through the G string and rest on the B string.

Now repeat the pattern by performing a swept-stroke on the high string. Picking Pattern #8 (Triplet Pattern #1) CD Track #9 3 3 3 3 3 3 3              3                            s    s    s     0   s  0 0 0 0     0 0 3 0 0 0 0   3     0 0 0 0 0  s 0 0 0 0     0 0 3 0 0 0 0   3     0 0 0 0 0  s 0 0 0 0 0 0 ● ✦ PART THREE ✦ BASIC TECHNIQUES AND PICKING PATTERNS 27 Picking Pattern #9: Triplet Pattern #2 Picking Pattern #9 is a triplet pattern played over four strings.

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