By Peter Broome, Graham Chesters
This anthology is the better half quantity to The Appreciation of contemporary French Poetry, the purpose of which used to be to offer certain initial support with the issues of poetic appreciation. The fourteen poets represented right here supply a various and interesting advent to what's most likely the richest century of French poetry, from 1850 to 1950. Hugo, the colossus of the 19th century, whose paintings supplies new resonance and energy to resourceful imaginative and prescient, opens the anthology, and Michaux, the main person and 'modern' of twentieth-century poets in that he bridges the space among poetry and modern technology, closes it. just about all the main poets of the interval are integrated: Nerval, Baudelaire, Mallarm?, Verlaine, Rimbaud and Laforgue from the second one half the 19th century; Val?ry, Apollinaire, Supervielle and Eluard within the 20th. The lesser recognized Cros and Desnos, clean and spontaneous poets with an instantaneous allure, invite a brand new examine the lyric traditions of french verse and supply an enticing new street for research. the alternative of poems, dictated mainly through their person poetic price, displays additionally the developments of contemporary feedback and the tastes of present-day readers. The texts are all followed by means of complete notes, which not just clarify neighborhood problems of vocabulary, syntax and expression, yet lead the reader without delay into the center of the richness of topic, sort and interpretation. those will turn out of worth not just to the coed who's grappling with the fundamentals of french verse, or is concerned to offer intensity to his familiarity, yet to the overall reader trying to re-light his delight in French poetry. moreover, there are introductions to every poet summarizing the essence of his paintings, important feedback for additional interpreting, and teams of dicussion subject matters to stimulate comparative insights and a much broader responsiveness.
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Additional info for An Anthology of Modern French Poetry (1850-1950)
But their aura of poetry is beautifully transparent, impressing the reader with the magical sound of proper names, evocations of strangely familiar myths, the balanced cadences of the Alexandrine, the sonnet's phonetic web, and the stimulating contrast between the logic of the form and the apparent unreason of the content. The initial savouring of what has been called Nerval's 'pure poetry' does not have to disappear once the effort to interpret begins, if one always remembers that Les Chimeres are poems, not hieroglyphics.
Pour peupler ce soir l'alcove obscure Des souvenirs dormant dans cette chevelure, Je la veux agiter dans Fair comme un mouchoir! 5 La langoureuse Asie et la brulante Afrique, Tout un monde lointain, absent, presque defunt, Vit dans tes profondeurs, foret aromatique! Comme d'autres esprits voguent sur la musique, Le mien, 6 mon amour! nage sur ton parfum. 10 26 Charles Baudelaire J'irai la-bas ou l'arbre et l'homme, pleins de seve, Se pament longuement sous l'ardeur des climats; Fortes tresses, soyez la houle qui m'enleve!
El Desdichado suggests that the very act of transmuting experience into poetry is the only reliable resolution of his ambiguities. The forces of the irrational which capture the man do not capture the poet unawares; they are themselves captured by a mysterious poetic reason and tamed in the tightly-knit system of the sonnet. In Les Chimeres, Nerval has answered his own questions: 'Pourquoi ne point enfin forcer les portes mystiques, arme de toute ma volonte, et dominer mes sensations au lieu de les subir?