Download Archival Storytelling: A Filmmaker's Guide to Finding, by Sheila Curran Bernard PDF

By Sheila Curran Bernard

Archival Storytelling is a vital, pragmatic advisor to at least one of the main hard concerns dealing with filmmakers this present day: using photographs and track that belong to another person. the place do manufacturers opt for cheap stills and photographs? How do filmmakers evaluation the old price of archival fabrics? What do verite' manufacturers want to know while documenting a global packed with rights-protected photographs and sounds? How do filmmakers defend their very own artistic efforts from infringement? choked with suggestion and perception from filmmakers, archivists, movie researchers, song supervisors, highbrow estate specialists, assurance executives and others, Archival Storytelling defines key terms-copyright, reasonable use, public area, orphan works and more-and demanding situations filmmakers to turn into not just archival clients but in addition archival and copyright activists, making sure their ongoing skill as creators to attract at the cultural fabrics that encompass them. beneficial properties conversations with leaders together with Patricia Aufderheide, Hubert most sensible, Peter Jaszi, Jan Krawitz, Lawrence Lessig, Stanley Nelson, Rick Prelinger, Geoffrey C. Ward and so forth. extra compliment for Archival Storytelling: "I've been making ancient documentaries for a few years, but I discovered new issues from this booklet. this is often the definitive advisor for archival learn for documentary filmmakers. a useful resource." -Mark Jonathan Harris, exotic Professor, college of Cinematic Arts, collage of Southern California, and writer/director, The good distance domestic and Into the fingers of Strangers "One of the best-and so much needed-[books] i've got visible in a while..The problem is to maintain what's a pretty technical element of filmmaking attention-grabbing with out compromising the standard and intensity of data. The authors have performed a great activity during this regard by means of the cautious interweaving of interviews with researchers, filmmakers and felony specialists during the authentic material.There is the robust feel of being within the presence of skilled filmmakers and researchers who settle for that whereas there are normal practices, archival use and highbrow estate legislation and so on. are contingent fields during which each one case needs to be assessed and handled on its merits." -Bruce Sheridan, Chair, movie & Video division, Columbia collage "It's challenging to visualize a extra prepared, complete dissection of Byzantine fabric. The authors have produced an important consultant for all who use archival assets. better of all, due to their attempt, i think extra participants might be capable of entry and correctly make the most of such fabric. This e-book will serve filmmakers and, in flip, the general public for years to come." -Thomas Speicher, manufacturer, Pennsylvania collage of expertise "Not easily a 'how-to' guide, it's also a dialogue of rules, matters and historical past that creates an stress-free textual content even if the subject material turns into complicated.The genuine global examples, the roundtable discussions, and the exploration of principles and matters surrounding the technical points are very welcome and good done." -Dustin Ogdin, Filmmaker, Spoke electronic motion pictures "The ebook effectively advances the inspiration that 'films matter,' yet this is often countered by way of discussants with 'films fee funds too.' Filmmakers could take many years to recoup, and licensing is helping. it really is an ongoing volley, the bankruptcy engenders a street map during the break up, the strain makes a very good read...This authorative publication belongs on each producer's shelf." -Loren S. Miller, Freelance Documentary and Dramatic Editor, Emerson collage   * approximately all filmmakers, at some point soon of their careers, should want to use third-party fabrics, or might be requested to license their very own paintings to another person. This publication will help you do it (and remain on-time and inside of budget)* This publication, by way of clarifying and defining such phrases as reasonable use, copyright, highbrow estate, and artistic Commons, can greater organize media makers not to in basic terms shield their very own inventive rights yet to appreciate and appreciate these of others.* extra assets can be found at the authors' web site: http://www.archivalstorytelling.com

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Additional info for Archival Storytelling: A Filmmaker's Guide to Finding, Using, and Licensing Third-Party Visuals and Music

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Includes 27,000 broadcasts from ABC News Radio consisting of programs from 1943 to 1971. Note that these items may not be in the public domain. NASA Audio Collection Catalog. Includes some 1400 NASA sound recordings (1952–1975), including live communications between astronauts and mission control, public affairs programs, press conferences, speeches, and mission highlights. Supreme Court Oral Argument Collection. S. Supreme Court (1955–1978); copies of these are available to the public. 41 Impressed?

This is an audiovisual database created for reference purposes by the National Information Center for Educational Media. html). BUFVC offers links to a number of rich archives, including those with film, television, and radio holdings. com). This subscribergenerated database includes information about many documentary films and series. Take care using this site, as information is only partly vetted. com). These include both nonfiction and fiction films and can be searched by subject. 27 Casting A Wide Net If you’re looking for a produced film or video on an obscure subject (or even just footage or stills), chances are that it exists and that someone can direct you to it.

ARCHIVAL STORYTELLING CHAPTER 3 Finding What You Need How do you make your way through the labyrinth of commercial archives, online images, and databases of stills and motion picture footage? How do you take advantage of known search strategies and techniques, and at the same time discover material that’s fresh and can make your film unique? In this chapter we offer some basic information about how and where to start looking, either as a first step in doing your own research or in preparation for your work with a professional.

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